Opera: Argentina es la
Tierra Prometida (2025)
Premiered at the Teatro Margarita Xirgu—an early twentieth-century historical venue—Argentina Is the Promised Land is a three-act opera conceived for two musical ensembles and a group of performers and dancers, unfolding across two simultaneous stage spaces.
Orquesta de la Frontera
(2024 - Present)
La Orquesta de la Frontera is a free improvisation, actionism, and performance project founded by Juan Ibarlucía. It consistently brings together different musicians for each iteration and specializes in large-format experiences. To date, we have carried out interventions in concert halls, factories, and non-conventional spaces across Argentina, Mexico, and Uruguay.
Impulso (2025)
Electroacoustic performance realized within the exhibition Impulso, conceived by visual artists Florencia Prato and Mariano Richards. .
The performance engaged spatial acoustics and site-specific conditions, situating live electronic practice within a dialogical exchange betwee
Anfibias (2018-2019)
A contemporary dance work featuring live music performed with piano, drum machine, and synthesizers. The piece examines forms of connection and creative exchange between a sighted dancer and a visually impaired dancer, exploring perception, interdependence, and expanded modes of sensory communication through the interplay of movement and sound
Fogata (2024)
An intermedial performance developed in collaboration with performer Pablo Cornejo.
The work employed a system of kinetic sensors placed on Cornejo’s body, enabling the real-time translation of physical movement into sound generation and electronic processing.
Autoscopia (2016)
Autoscopia is a theatre piece directed by Delfina Dane and Aldana Contrera. The music was created as a duo with Ignacio Cruz, working with real-time electronics and non-conventional audio generation techniques such as no-input mixing, among others. It premiered at Teatro El Extranjero.